{"id":5680,"date":"2024-09-19T16:23:46","date_gmt":"2024-09-19T16:23:46","guid":{"rendered":"https:\/\/webszinhaz.com\/?p=5680"},"modified":"2024-11-05T12:25:12","modified_gmt":"2024-11-05T12:25:12","slug":"eszter-anna-szilagyi-harpy-psycho","status":"publish","type":"post","link":"https:\/\/webszinhaz.com\/en\/eszter-anna-szilagyi-harpy-psycho\/","title":{"rendered":"Eszter Anna Szilagyi: Harpy Psycho"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\tEszter Anna Szilagyi\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Harpy Psycho<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThe Taming of the Shrew – after Shakespeare\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tEszter Anna Szilagyi\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Harpy Psycho<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThe Taming of the Shrew – after Shakespeare\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tEszter Anna Szilagyi\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Harpy Psycho<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThe Taming of the Shrew – after Shakespeare\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tEszter Anna Szilagyi\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Harpy Psycho<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The story is well-known; there’s a good chance that even those who have never read Shakespeare might remember something or have an idea about it. The “proud” girl is taught a lesson, thoroughly humiliated, until she finally accepts her lawful husband as her lord and master. There\u2019s a common interpretation of the play: two tough nuts clash, two strong, independent personalities lock horns, duel, and tease each other until they finally fall into each other\u2019s arms. And that’s how it’s been in many productions of *The Taming of the Shrew*, glossing over the imbalance of power a bit. <\/p>\n

But let\u2019s take a closer look: after the marriage, where could Kate say “no”? Where could she resist or fight back with equal force\u2014against her owner? Because sassiness is only tolerated up to a point, as long as it doesn’t hurt male interests, male pride, or simply tradition. Let\u2019s not even mention the other pillars of her independence. For us, it’s mostly fearsome. Female independence is like being on a seesaw: as her weight increases, it lightens the men, they lose their footing, hanging there in the air… And thick bundles of offended hatred toward “women” start to pile up. <\/p>\n

This text was written by request. *The Taming of the Shrew*, rethought\u2014does something here really need rethinking? Feminist reading? Yes or no. Look at the *nane.hu* website. Every other day there\u2019s news of domestic or relationship violence as an ending. This is an “incellectual” experiment on Pete\u2019s (Petruchio\u2019s) part to break her.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PLAYBILL\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peet
\nKate
\nHeads
\n.
\n.
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\n.
\n.<\/p>\n

Sound on site
\nSound
\nMicrophone
\nCostume
\nLocation Manager
\nProduction Manager
\nAnimation
\nFocus Puller
\nCamera
\nDirected by<\/p>\n

Translated by<\/p>\n

Producer
\nProducer
\nProducer<\/p>\n

Co-production partner
\nCo-production partner<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Zolt\u00e1n Sas
\nT\u00edmea F\u00fcl\u00f6p
\n\u00c1goston Liber
\nD\u00e1vid Kerek
\nAtan\u00e1z Vatam\u00e1ny
\nTibor Nemes
\nVilmos Krasznai
\nBence Juh\u00e1sz
\nP\u00e9ter Turi
\nKrist\u00f3f F\u00fcl\u00f6p<\/p>\n

G\u00e1bor Kerekes
\nBal\u00e1zs Necz
\nMil\u00e1n Berkin
\nLet\u00edcia Bartos
\nLili T\u00f3th
\nZs\u00f3fia Szatai
\nFl\u00f3ra Anna Buda
\nTam\u00e1s Nagy
\nNat\u00e1lia N\u00f3ra Meister
\nL\u00e1szl\u00f3 Mag\u00e1cs<\/p>\n

D\u00f3ra Esze<\/p>\n

D\u00e1niel Herner
\nTam\u00e1s Csutak
\nL\u00e1szl\u00f3 Mag\u00e1cs<\/p>\n

Filmworks kft.
\nEnglish Language Theatre Charitable Foundation<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PLAYBILL\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peet
\nKate
\nHeads
\n.
\n.
\n.
\n.
\n.
\n.
\n.<\/p>\n

Sound on site
\nSound
\nMicrophone
\nCostume
\nLocation Manager
\nProduction Manager
\nAnimation
\nFocus Puller
\nCamera
\nDirected by<\/p>\n

Translated by<\/p>\n

Producer
\nProducer
\nProducer<\/p>\n

Co-production partner
\nCo-production partner<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Zolt\u00e1n Sas
\nT\u00edmea F\u00fcl\u00f6p
\n\u00c1goston Liber
\nD\u00e1vid Kerek
\nAtan\u00e1z Vatam\u00e1ny
\nTibor Nemes
\nVilmos Krasznai
\nBence Juh\u00e1sz
\nP\u00e9ter Turi
\nKrist\u00f3f F\u00fcl\u00f6p<\/p>\n

G\u00e1bor Kerekes
\nBal\u00e1zs Necz
\nMil\u00e1n Berkin
\nLet\u00edcia Bartos
\nLili T\u00f3th
\nZs\u00f3fia Szatai
\nFl\u00f3ra Anna Buda
\nTam\u00e1s Nagy
\nNat\u00e1lia N\u00f3ra Meister
\nL\u00e1szl\u00f3 Mag\u00e1cs<\/p>\n

D\u00f3ra Esze<\/p>\n

D\u00e1niel Herner
\nTam\u00e1s Csutak
\nL\u00e1szl\u00f3 Mag\u00e1cs<\/p>\n

Filmworks kft.
\nEnglish Language Theatre Charitable Foundation<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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